Hello, friends, and thanks for stopping by! My name is Anne Johnson, and this site is dedicated to Gods and Goddesses who are lost to time ... forgotten, discarded, overrun ... but still able to make a damned great sunset.
I want to thank all of you who posted kind remaks about the passing of Alpha Johnson. Some of those were so beautiful they made me cry! Blessed be to all of you. I was very comforted.
Well then. On to today's sermon.
My favorite local moron is a high school teacher in Snobville who directs all the school plays. This moron teacher came to the school when Heir was there, and the first thing the guy did was cast his own daughter in the leading role of every play until she graduated. Then there came to the school a family with a whopping six daughters, some of whom had bit parts in various little movies and professional stage plays. Since Daughter #1 became a freshman, no one but the siblings of D#1 has gotten the lead in the school play. Now Daughter #6 is a sophomore (I think), and she has the lead in this year's musical. Her older sister is the second lead.
I suppose Local Moron Teacher felt the need to offer a mea culpa about this constant casting of the same young women, year after year. He told our puffy local paper that these girls are "professionals" and he expects professionalism in his productions.
Since my daughter The Spare was one of the many casualties of Local Moron's slavish devotion to his professional daughter and subsequent sibling juggernaut, I've been wondering about the intentions of a high school play, the level of professionalism, and bald possibility that Local Moron is just out-and-out casting teacher's pets.
I'd like your opinion on this. Should all school clubs work like athletics? In other words, professional athletes are not allowed to play for their high school teams. Shouldn't this perhaps work the same way for dramatics? One would think that a big family of sibling thespians who have a theatrical agent could get paying gigs elsewhere, leaving the school stage open to the kids who don't star in cereal commercials.
Honestly, I felt sorry for The Spare. Possibly she wouldn't have gotten a big role in anything, anyway, because the competition at Snobville High is fierce. But she felt like she never had a chance. She auditioned for every musical and was optioned to the chorus. Unwilling to be hollered at by Local Moron during practices, Spare wound up doing costumes, a thankless job that she did with great "professionalism."
What do you think? If you were a high school director, would you go with the kid who has paying gigs, a voice coach, and a stage mom who cooks you dinner once a month, or would you cast the second-best kid, who is admittedly amateur but willing to work hard and wanting so badly to star in a play?
To finalize this sermon, I will only add that Local Moron's high school plays are anything but professional, from curtain to curtain. He cuts the musicals in half, content-wise ... and everything is a musical. He hasn't staged a music-free drama since 2007.
Should high school plays go for the same actors and actresses, year after year after year? Your opinion is sought on this topic!